MARY T. ENSLOW
The female form in sculpture embodies a powerful narrative that transcends time and culture. Each curve and contour tells a story of strength, vulnerability, and resilience, reflecting the complexities of the female experience. As I sculpt, I seek to capture the essence of femininity, celebrating not only physical beauty but also emotional depth. The female figure serves as a source of inspiration, a canvas for exploring themes of identity, empowerment, and connection. Through my work, I aim to invite viewers to appreciate and resonate with the multifaceted nature of womanhood, fostering a deeper understanding of the shared human experience.
ABOUT
I hold a BFA in Sculpture from the University of Washington, graduating in 2003. My cohort was the final group to work in the CMA (Ceramic and Metal Arts) building before its transformation into the 3D4M program. During my time there, we engaged in extensive metal casting, primarily using iron. We crafted our sculptures by either carving from sand bonded with resin or by investing work created from burnable materials like wax or wood into sand molds. A significant aspect of our process involved breaking down old cast iron tubs to gather sufficient material for our molds, which we melted down to create purified iron for casting.
I was fortunate to study under renowned instructors Norm Taylor and Lauren Grossman, and my educational journey culminated in Rome as part of the 2003 UW Studio Art Program.
Having spent my formative years across various locations in the Pacific Northwest, I developed a deep appreciation for the intricate details of the natural world. This environment nurtured my creativity and hands-on skills, despite my family’s limited exposure to galleries or the broader art world until my university years.
I was particularly influenced by artists like Giacometti, who taught me that art does not have to adhere to perfection or realism. My travels through Europe and exploration of ancient cultures further fueled my fascination with the dynamic interplay between art and nature.
After completing my studies, I co-founded the Twilight Artist Collective (2005-2012) with Erin Crawford and Cheryl Robinson, where we spotlighted hundreds of emerging artists.
In 2014, I took on the stewardship of the Georgetown Trailer Park Mall, Purveyors of the Rare and Sublime. Here, I operate an art gallery housed in a 1951 Spartan Royal Mansion Travel Trailer, showcasing the work of 35 local artists. My mission is to foster an accessible and vibrant community for art appreciation, supporting local talents and promoting their creative endeavors.
